Queen Of Heaven
- Linked to diverse traditions including BUDDHISM and TAOISM
- Ancient Chinese seafarers' rituals and veneration
- Evolution of the deity's role and associations
- Recognition of Aunt Lin's contributions by the EMPEROR
- Elevation to protector of all Chinese and Empress of Heaven
- Artistic representations and intriguing associates
The Myth and Legacy of the Enigmatic Sea Goddess
Mythical Sea Goddess in Various Traditions
A legendary goddess believed to govern the sea has been linked by mythologists to diverse traditions, including BUDDHISM and TAOISM, as well as popular beliefs. In ancient China, sailors revered her before embarking on the fishing season, sought her blessings while crafting or repairing fishing nets, adorned their boats with her image, and kept a perpetual lamp illuminating her likeness during voyages.
Veneration of the Sea Goddess in Ancient China
Ancient Chinese seafarers displayed their devotion by crafting miniature models of fishing boats as tokens of gratitude, placing them alongside the goddess's image. Temples dedicated to her were situated along shores, harbors, fishing towns, and trade ports. Entire towns participated in processions in her honor when planning extended sea voyages. In Buddhist mythology, she was identified with Maritichi, the goddess of dawn or light, while Taoists, influenced by Buddhist depictions, named her Zhun Di (or Chun Ti) and portrayed her as more martial.
Evolving Deity with a Human Connection
During the seventh and eighth centuries, the goddess gained her own retinue of gods. Folklore intertwined the mythic figure with Aunt Lin, a woman from the Lin family in Fujian, China, around the 10th century, who prayed for her parents' safety during daily fishing trips. Her visions guided her parents' boat safely back during a crisis, solidifying her reputation as a caring guardian for mariners, extending even after her death.
Recognition and Ascension to Empress of Heaven
In 1156, the EMPEROR officially acknowledged Aunt Lin's contributions to mariners and the nation. Over time, her reputation expanded, and by the 15th century, she was regarded as a protector of all Chinese. The emperor elevated her status, declaring her a concubine or wife of HEAVEN. As QING emperors sought control over the Fujian coast, they aligned themselves with the goddess to enhance popularity and elevated her to empress of heaven in 1737, placing her at the pinnacle of the pantheon.
Artistic Representations and Associates
Artists frequently depicted the goddess on a throne, accompanied by her two female assistants, Thousand Mile Eyes wielding a sword, and Fair Wind Ears carrying a long horn. The title QUEEN OF MAGIC is further explored in connection with GUNSHO MINGWANG.